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	<title>Comments on: HMS Pinafore</title>
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		<title>By: W Krebs</title>
		<link>http://www.andrewklavan.com/2010/03/06/hms-pinafore/#comment-330</link>
		<dc:creator>W Krebs</dc:creator>
		<pubDate>Mon, 15 Mar 2010 19:25:34 +0000</pubDate>
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		<description>Hmmm.  I don&#039;t know.  I don&#039;t get the impression that Gilbert and Sullivan are much performed these days.  Of the Gilbert and Sullivan book, I would be surprised if anything other than &quot;H.M.S. Pinafore&quot; and &quot;The Pirates of Penzance&quot; is much performed.   Even &quot;The Mikado&quot; has become rather politically incorrect.  Forget about seeing &quot;Iolanthe&quot; or &quot;Patience&quot; or the impossibly politically incorrect &quot;Princess Ida.&quot; 

In any case,  &quot;Pinafore&quot; is only 132 years old.   Maybe it will take another couple of centuries before comparisons with Shakespeare can validly be made.  After all, Broadway producers in the &#039;30s made good money by revamping Shakespearean comedies as musicals, and Kenneth Branagh managed to make money off of &quot;Much Ado About Nothing&quot; in the &#039;90s.

Comedy is just hard, I guess, and part of the difficulty is to catch the moment.   That, I believe, is why comedy doesn&#039;t age well.</description>
		<content:encoded><![CDATA[<p>Hmmm.  I don&#8217;t know.  I don&#8217;t get the impression that Gilbert and Sullivan are much performed these days.  Of the Gilbert and Sullivan book, I would be surprised if anything other than &#8220;H.M.S. Pinafore&#8221; and &#8220;The Pirates of Penzance&#8221; is much performed.   Even &#8220;The Mikado&#8221; has become rather politically incorrect.  Forget about seeing &#8220;Iolanthe&#8221; or &#8220;Patience&#8221; or the impossibly politically incorrect &#8220;Princess Ida.&#8221; </p>
<p>In any case,  &#8220;Pinafore&#8221; is only 132 years old.   Maybe it will take another couple of centuries before comparisons with Shakespeare can validly be made.  After all, Broadway producers in the &#8217;30s made good money by revamping Shakespearean comedies as musicals, and Kenneth Branagh managed to make money off of &#8220;Much Ado About Nothing&#8221; in the &#8217;90s.</p>
<p>Comedy is just hard, I guess, and part of the difficulty is to catch the moment.   That, I believe, is why comedy doesn&#8217;t age well.</p>
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		<title>By: Lars Walker</title>
		<link>http://www.andrewklavan.com/2010/03/06/hms-pinafore/#comment-275</link>
		<dc:creator>Lars Walker</dc:creator>
		<pubDate>Mon, 08 Mar 2010 14:59:33 +0000</pubDate>
		<guid isPermaLink="false">http://www.andrewklavan.com/?p=282#comment-275</guid>
		<description>I used to do community theater, and I was in one Gilbert &amp; Sullivan production--The Pirates of Penzance. One of my most vivid memories is of the auditions, where I heard one of the local &quot;stars,&quot; a guy who had a good, trained voice, and did all the musical shows, looking at the script, saying (loudly), &quot;This doesn&#039;t even make any sense!&quot; And he walked out.

Because, for all his vocal talent and high self-esteem, he was an idiot (I knew this from working with him in Camelot), and didn&#039;t have the brains to appreciate satire.</description>
		<content:encoded><![CDATA[<p>I used to do community theater, and I was in one Gilbert &amp; Sullivan production&#8211;The Pirates of Penzance. One of my most vivid memories is of the auditions, where I heard one of the local &#8220;stars,&#8221; a guy who had a good, trained voice, and did all the musical shows, looking at the script, saying (loudly), &#8220;This doesn&#8217;t even make any sense!&#8221; And he walked out.</p>
<p>Because, for all his vocal talent and high self-esteem, he was an idiot (I knew this from working with him in Camelot), and didn&#8217;t have the brains to appreciate satire.</p>
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