My Take on the Oscars

I can’t help making fun of Oscar nominations. It’s not that I don’t think the films are good — very often they are. It’s just that they all have one political point of view, which reinforces the idea that our creative class has become more lockstep conformist than, say, any six guys you could find in a barber shop — not a good sign. Anyway, this week The Daily Caller ran my snarky response:

Ever since the now-famous Senate investigation into Non-Democrat Activities in Hollywood, the question “Are you now or have you ever been a Republican?” has struck fear into the hearts of movie-makers who ever — even if only briefly in their youths — toyed with the idea that there should be constitutional limits on the powers of the government. The industry-wide blacklist that has virtually eliminated conservative directors, screenwriters and actors from “the business” has ensured Americans will be protected from the ideas of dangerous radicals like John Adams and Thomas Jefferson and will find nothing but a wholesome diet of pro-Democratic fare at their local multiplex.

Thus it comes as no surprise that this year’s Oscar nominations include Argo, an entertaining escape drama that neatly whitewashes the near-criminal incompetence of the Carter administration in the Middle East; Zero Dark Thirty, a gripping manhunt story that neatly whitewashes the near-criminal incompetence of the Obama administration in the Middle East; Lincoln, a hagiographical snoozer that draws invidious comparisons between a truly great dead president and a truly mediocre living one; and Beasts of the Southern Wild, which makes an exciting fairy tale out of the left’s global warming … well, fairy tale.

Read the whole thing here. It made me laugh anyway!

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